Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Thursday, January 20, 2011

Rear Window: How can you not watch?

Just noticed that "Rear Window" is on. Can't resist. Switched to it just at that magical moment when a shadow falls across the face of a drowsy Jimmy Stewart... and we cut to a tight close up of the miraculous Grace Kelly slowly closing in for a kiss.

Then the full introduction: Hitchcock widens out as she floats about, literally lighting up the room. One lamp, click — "Lisa" — another lamp, and we see more of her — "Carol" — the third lamp, and she's enveloped in a cloud of chiffon — "Fremont".

Could this be the greatest character introduction in film? Even if it isn't, there's never been anyone like Grace. Or Jimmy. Or Hitch.

Posted via email from Yes, That Bob West

Wednesday, February 10, 2010

Just for fun -- fourfour: Mirror Scare: A supercut

Cliches don't work because they're so overused. But sometimes they do work, for the same reason. (Hey, I have no answers here. Just making an observation.) Here's a bunch of cliches -- horror / thriller / suspense movie mirror scares -- cut together into a series. Which is, in itself, a cliche, which could be called a "Workman". (Hey, did I just coin that?) Regardless, enjoy!

Posted via web from Yes, That Bob West

Monday, January 18, 2010

'Avatar' passes 'Star Wars' for 3rd place - and helps choke out the future of the indie?

'Avatar' passes 'Star Wars' with $491.8 million domestically

The Force is now with James Cameron as the 3-D epic

Associated Press

January 17, 2010 | 10:58 a.m.


James Cameron's "Avatar" had a $41.3 million weekend to shoot past "Star Wars" as the No. 3 movie on the all-time domestic box office charts. Next stop, "The Dark Knight."

No. 1 for the fifth-straight weekend, Cameron's sci-fi saga raised its domestic total to $491.8 million and should top $500 million after revenues are counted on Martin Luther King Day, according to studio estimates Sunday.

Worldwide, 20th Century Fox's "Avatar" lifted its total to $1.6 billion, second only to Cameron's last movie, 1997's "Titanic," at $1.8 billion.

"One guy makes two movies in 10 years, and they're by far the biggest movies of all time. That's remarkable," said Chris Aronson, head of distribution for the studio.

"Avatar" topped the original "Star Wars," which took in $460.9 million domestically in its original run and several reissues over the years. But factoring in today's higher admission prices, "Star Wars" remains well ahead of "Avatar" on actual number of tickets sold.

"Avatar" now is closing in on "The Dark Knight," No. 2 domestically with $533.3 million. After that, only Cameron's "Titanic" at $600 million will remain ahead of "Avatar" domestically.

"We'll be proud of our No. 3 slot," said Dan Fellman, head of distribution for Warner Bros., which released "The Dark Knight" and has hopes for more in the Batman franchise from its director, Christopher Nolan. "I can just give Chris Nolan a nudge that he's got to raise the bar."

Warner, which has Nolan's sci-fi tale "Inception" with Leonardo DiCaprio opening this July, had a strong No. 2 debut of $31.6 million for its action thriller "The Book of Eli." The movie stars Denzel Washington as a post-apocalypse prophet carrying the last known Bible to safe haven across a decimated America.

Expanding nationwide after a month in limited release, Paramount's drama "The Lovely Bones" came in at No. 3 with $17.1 million. Directed by "The Lord of the Rings" creator Peter Jackson, "The Lovely Bones" features Saoirse Ronan, Mark Wahlberg, Rachel Weisz and Stanley Tucci in the story of a murdered teen looking back on the world from the afterlife.

Lionsgate's family action tale "The Spy Next Door" debuted at No. 6 with $9.7 million. It stars Jackie Chan as a newly retired agent forced back into the spy game when bad guys come after him and his girlfriend's kids.

Like "Titanic," which dominated the Academy Awards 12 years ago, "Avatar" is expected to remain aloft in the box office charts as Oscar season progresses. "Avatar" was up for best drama at Sunday's Golden Globes and is considered a likely best-picture nominee when Oscar nominations come out Feb. 2.

"It's kind of the cherry on top of the cake for this movie to not only be a massive box office hit, but to get all this awards attention," said Paul Dergarabedian, box office analyst for Hollywood.com. "It's hard sometimes to get a 50- or 60-year-old out of their chair to go see a science-fiction movie in 3-D. But if 'Avatar' gets enough recognition from the critics, they may just do it."

Fox executive Aronson would not say if the studio expects "Avatar" to pass either the $600 million domestic total for "Titanic" or its $1.8 billion worldwide total. Some box office watchers say "Avatar" could climb as high $2 billion, though.

"'Titanic' was a ship. Batman had a motorcycle. 'Avatar's' a rocket ship," Aronson said. "Is there a lot of fuel left in the tank? You bet."

Even if "Avatar" sets a new revenue record, it's doubtful it would sell as many tickets as "Titanic" did because of today's higher admission prices.

"Titanic" sold about 130 million tickets domestically based on average ticket prices of about $4.60 back in 1997 and 1998. Based on today's average domestic price of about $7.50, "Avatar" would be at around half that mark.

Average admission prices for "Avatar" likely run even higher, given that much of its business comes from a 3-D version, which costs a few dollars extra to see.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Tuesday.

1. "Avatar," $41.3 million

2. "The Book of Eli," $31.6 million

3. "The Lovely Bones," $17.1 million

4. "Alvin and the Chipmunks: The Squeakquel," $11.5 million

5. "Sherlock Holmes," $9.8 million

6. "The Spy Next Door," $9.7 million

7. "It's Complicated," $7.7 million

8. "Leap Year," $5.8 million

9. "The Blind Side," $5.6 million

10. "Up in the Air," $5.5 million

Copyright © 2010, The Los Angeles Times

  • Email

    E-mail

  • Print

    Print

  • add to Digg

    Digg

  • http://www.latimes.com/entertainment/news/la-ct-fi-boxoffice18-2010jan18,0,5320040.story]" title="Add this to Twitter" rel="nofollow" target="_new" alt="Add this to Twitter">add to Twitter

    Twitter

  • add to Facebook

    Facebook

  • add to StumbleUpon

    StumbleUpon

  •   Share
  • COMMENTS (0) | Add Comment

    While I really liked Avatar, and it has good things to say, and it's an amazing technical achievement... I'm not sure it deserved the Golden Globe. That -- along with the pic stacking $1.6B+ globally -- will only encourage studios to pass up smaller films and go for the event movie even more often.

    ...Unless we all (no, really, ALL) remember to go to the smaller-budget movies and show that their margins can be high on a percentage basis.

    Unfortunately, many distributors seem so very enthusiastic about buying smaller pictures, then fail to come through with even a modest marketing push, gambling that a website and a tiny viral campaign will allow them to get away with spending (risking) next to nothing.

    So, could it be that we -- as active social networkers, bloggers, and texters who can spread the word about the little indie gems -- could be responsible for the success or failure of the smaller movie in theatrical distribution?

    Or will all small movies eventually be relegated to disc-only release, while the theaters become the exclusive residence of the mega-tentpole, 3-D, Scent-O-Rama extravaganza?

    True, movies of scale work better on a big screen, and IMAX is pretty amazing. And indies seem to tend to be scaled more for an intimate setting like your living room. But there's nothing like seeing even an intimate movie with a decent-sized audience for that collective experience... not to mention the emotional power of the big screen and the sound system. Plus the fact that somebody else gets to clean up the spilled popcorn later.

    And all this is without even touching on decent budgets -- and local production -- keeping solvent the workers in the factory town known as LaLa.

    One worries about these things... Not just because one makes at least part of one's living from the industry. But also because there really isn't any substitute for going out to the movies.
    -------
    [Then again, I wonder if the box office comparison to Star Wars is in inflation-adjusted dollars...]

    Posted via web from Yes, That Bob West

    Wednesday, January 6, 2010

    Robert Downey Jr.’s Shapeshifter Holmes (NYT)

    Can't wait to see this one -- for better or worse. For the record, I'm a Jeremy Brett man. But I can be flexible. Just hoping Ritchie and Downey haven't utterly destroyed the character.

    Posted via web from Yes, That Bob West

    Sunday, March 25, 2007

    To Wiki, or Not to Wiki...

    I just came from Wikipedia. There's an article about me there that keeps gathering erroneous information. Like a wad of gaffer's tape that keeps picking up lint.

    Ya see, I've never been to Malaysia. What's really interesting is that the entry was updated at some point to add "where he stayed from 2004-2005." So, either there's another erroneous source out there, or the same Wikipedian keeps going back to add bogus stuff.

    So I thought I'd correct the errors.

    Man... Talk about a rabbit hole.

    I ended up spending a couple of hours editing and expanding my article, adding in stuff I've done since retiring as the voice of Barney the Dinosaur.

    And then I ran across Wikipedia's guidelines on autobiography. Hmmm.

    Well, I think I can be objective. I mean, I thought the concept of the Fair Witness in Robert Heinlein's Stranger in a Strange Land was a beautiful thing... that objectivity is an ideal to be striven toward with great vigor and the wearing of really impressive robes. Heck, I nearly said that once while being voir dired for jury duty.

    So, I'm perfectly willing to admit... uh, I mean, report that some people have thought Barney was the most annoying thing ever to be created for television. And then I would say that most of those people are either teenage boys or childless adults. Which is true. In my experience.

    But then I read the part about personal experience being a bad thing for an article.

    So, maybe I'll just leave in the list-like paragraphs of my work experience, like the movies and TV shows I've done graphic design for.

    But then I read that everything in an article has to be verifiable through a published source.

    Hmmm... So I guess I need to get off my duff and update my IMDb entry to include all the shows I've worked on. So that would be a verifiable source.

    But then I read that using primary sources is discouraged. And I guess I'd be my own primary source for the IMDb listing. Or not. I dunno.

    So... After writing a lengthy bio and adding in my saxophone-playing, chemical-analyzing, Rosie the Riveter family, and being a diligent editor and using Wikipedia's markup tags to create links to other articles, and after trying to be as objective as a Fair Witness watching Valentine Michael Smith turn a box 90 degrees from everything else in the universe... I cut all of my new stuff and just deleted the Malaysia thing. And I removed the totally-wrong birth date and replaced it with the correct year. Oh, and I killed the line that said that I did the voice of Kuma for Tekken. I didn't.

    But I did save the expanded article in a text file. For later. Just in case.

    I mean, they said I'm a stub. And that I need to be expanded.

    So I'll just keep that article in case I want to expand myself later. Because, as they say, you never know when the moment will be right.